Find your dream mentor and cultivate a lasting relationship


David D’Angelo (@DavidDAngelo2) is a serial entrepreneur with a heavy focus on charity. He is a proponent of starting with a cause and then founding the company. In July 2014 he founded Somu Energy which develops entrepreneur networks that rent batteries and LED lights to provide light and connectivity to bottom of the pyramid villagers in rural Nepal.

Shortly after arriving in Nepal in March 2015 his village in Pokhara was struck by the strongest earthquake to hit Nepal since 1934. It was a magnitude 7.9 quake that killed 8,000 people, injured 21,000, and left thousands more homeless. After this tragic earthquake, devastating aftershocks, and the supply crisis that followed, David and his team refocused on relief and reconstruction efforts.

David had many opportunities to return home after the earthquake but chose to stay with his team and do everything they could to help the situation and the people affected. They coordinated rebuilding efforts and deployed shelter and energy solutions to people affected by the crisis. He returned home in March 2016.

Today he continues his cause focused entrepreneurial pursuits from his home in Salt Lake City, Utah. During this interview he shares some amazingly valuable insights and tips on how to cultivate a world class network and strengthen each individual relationship.

After speaking with David I completely redrew my weekly schedule to fit in more group exercise activities, one on one lunches, volunteering opportunities, and refocused on scheduling more relationship strengthening events.

This was a super fun interview that I think anyone interested in improving their professional and personal network will benefit greatly.

Remember “Your network is your networth”.

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How Chris Festa started the biggest Pub Crawl in Chicago

How Chris Festa Started The Biggest Pub Crawl In Chicago (TBOX with over 20,000 attendees per event) – Interview With Chris Festa

This was a super fun interview with someone I’ve been a big fan of since I moved to Chicago in 2011. I previously met the founder of TBOX, Chris Festa, at a networking event where he was the headlining speaker. I thoroughly enjoyed his self deprecating honesty as well as the many valuable entrepreneurial lessons he shared. I knew I had to hear more. And as luck would have it he agreed to be on the podcast.

Chris Festa talks about earning his economics degree from Stanford, the Bartman effect on his Cubs t-shirt business, and finally how his TBOX bar crawl regularly attracts over twenty thousand people per event.

If you are interested in how quitting your job and following your bliss can create an incredibly successful and well known business, this is the episode for you. Enjoy!

0:45 Background on Chris Festa
1:15 How the t-shirt business has helped TBOX
1:30 What Chris F has learned from running TBOX
4:00 Instead of focusing on growth why Chris F just wants to make TBOX the best bar crawl it can possibly be
4:15 $250,000 donated to local charities
5:30 Why Wrigleyville is the best location for TBOX
7:00 The importance of themes when marketing
8:30 How Chris F became an entrepreneur
10:00 Why Chris F knew Chicago was the right spot for him and for TBOX
11:30 How being unemployed allowed the soul searching for Chris F to follow his heart
12:15 Started with a t-shirt company
13:15 How the Cubs influenced his t-shirt designs
15:00 How Chris F transitioned from t-shirts to TBOX full time
17:30 How following your bliss is the secret sauce to TBOX’s success
19:30 Why age is irrelevant at TBOX
21:00 Similarities between Chris B and Chris F’s entrepreneurial journey
24:30 How Chris F deals with his work schedule
25:00 Why Chris F spends most of his time focused on the creative aspects of TBOX
29:00 The importance of understanding basic accounting and html
30:00 Using creativity in other aspects of your business
30:30 Why Chris F doesn’t have any year round full time employees
33:30 Why Chris F got away from inventory based businesses
36:00 How Chris F comes up with his viral marketing ideas
36:45 How to attract sponsors
38:00 Why Chris F chose the ticket sales revenue model
39:30 How to work with the government, community, and neighborhood relations
42:30 Why Chris F is the face of the event and heavily involved in the day of TBOX
43:30 Saturday Dec 10th is 2016’s TBOX date
45:00 Why Chris F has stuck to his ticket driving revenue model over the years
47:30 How TBOX became a cultural phenomenon
49:00 The importance of charity
50:00 Keeping the integrity of the event
53:30 How the marketing of TBOX has changed over the years
55:00 How to coordinate with busy bars
56:00 Why Chris F focuses most on creative advertising instead of strictly paid advertising
58:00 How Chris F got to mention TBOX frequently
60:00 The importance of Email, social, and in person networking
1:01:00 Why TBOX is a good deal
1:02:00 If the Cubs win the World Series could the party still be going thru TBOX?
1:05:00 Struggles with other planned bar crawls besides TBOX
1:07:00 Chris F’s book recommendations:
“Atlas Shrugged” by Ayn Rand
“The Brand Called You”
“Love is the killer App”
“Winning through intimidation” rewritten as “To be or not to be intimidated” Robert Ringer
“Action: nothing happens until something moves”
“War of art”
“Differentiate or die” by Jack Trout
“Influence” by Robert Chialdini
1:17:30 What is Chris F working towards
Festa means “party” in Italian

How To Get 2.5 Million Video Views On Facebook – Interview With Chad Lebaron

“How To Get 2.5 Million Video Views On Facebook – Interview With Chad Lebaron’

The Chris Brodhead Show is all about finding the key characteristics, best practices, and deep insights from every brilliant artist I can convince to come on the show.

I recently had the rare fortune to chat with an amazingly talented performer, director, writer, videographer, and producer out of Los Angeles named Chad Lebaron aka Cherdley’s.

You may recognize him from the multitude of hilarious characters across Youtube and Facebook or his crazy viral video “Dad tries to find his son at Coachella” that earned 2.5 million views on Facebook.

This conversation was amazing and I myself plan to listen through it at least a few more times to squeeze out all the nuggets of insight.

If you are an actor, filmmaker, producer, or even marketer I think you will really enjoy this episode.

This episode is brought to you by If you or your business are in need of digital marketing guidance please contact Suit Social specializes in video production, podcast creation, content distribution via social, seo, pr, influencer marketing, and email, not to mention digital marketing training. Your audience and customers are begging for your amazing work. Together we can make your work so easy to find and powerful they’d practically have to buy.

Show Notes

00:01 Meet Chad Lebaron

1:44 Spotify “Laurel Canyon Animal Company” Creepy guy singing about dogs

3:30 Chad’s background and how he got started

6:15 How Chad figures out what’s funny

7:10 The issue with Prank videos and his Simple Misfits youtube channel with 400,000 subscribers

11:00 Almost getting pepper sprayed and stabbed while doing pranks

12:00 Why Chad considers himself an actor first and writer second. Why he also makes everything as easy as possible to film.

13:20 How Chad comes up with and perfects his characters

15:15 How to get past all the excuses and start making stuff

15:45 How Chad found his voice

16:30 How Chad rates the success of his videos regardless of views

18:00 How Chad got his “Coachella Dad” video to 2.4 million views on Facebook

21:30 “Whoever gets off the most is the funniest”

23:00 By making yourself laugh you make the funniest material

25:00 How to get a larger audience exposed to your material; HINT ease them into your material with more normal stuff and then release the weirder stuff.

26:45 Why Chad finds the Coachella Dad so funny.

28:00 Why Coachella Dad connected so well

29:30 The marketing Chad does for his videos

30:30 Which platform Chad will focus on more; Youtube or Facebook?

31:45 How to make money with Youtube

35:30 Chad’s TV goals post Youtuber

36:30 Just crank out videos so people can see what you are capable of

37:30 Thoughts on needing an agent

38:30 How to leverage your successful videos to entice a good agent to represent you

40:00 How to write around the stuff you already have; you don’t need all the equipment

41:30 The best thing you can hear is criticism

42:20 How Chad deals with criticism

46:00 Chad’s writing process and how improv fits into the process

48:30 Why Chad sometimes films stuff twice

49:30 The importance of criticism

52:20 How Chad works with his team

54:00 How his upbringing affected his work

56:40 Where do his ideas come from

58:40 How to make a great character

1:03:00 How writing and performing can be great therapy

1:05:00 Brandon Rodgers a new youtube he follows

1:06:00 Why Louis C.K. is Chris’s new ultimate idol

1:07:00 The importance of relatability when making comedy

1:09:00 The importance of living in Los Angeles; Brian Imanuel youtuber alternate name is Rich Chiga

1:10:00 Why creating videos is so scary

1:13:30 How to live in LA on the cheap; Echo park for $400/month!

1:15:30 The importance of the equipment that Chad uses; Why audio is the most important part; Audio Technica 880W and the Sennheiser Lavaliers

1:19:30 Chad’s biggest influences

1:25:00 Search Cherdley’s on Facebook and Youtube; Simple Misfits


Well that’s it for this episode of The Chris Brodhead show. Please subscribe on iTunes so you don’t miss an episode. If you have any questions or comments please check out for all the show notes. I can be reached at @ChrisBrodhead and that’s Brodhead on Both Twitter, Instagram and Snapchat.
Now get out there and make some art!

Producer Alex Koehne On Why He Distributed Via ‘Vimeo On Demand’ and You Should Too

Podcast Link

I am so excited about this episode. I had the pleasure to interview one of the most accomplished and well rounded filmmakers I’ve ever met.

Alex Koehne (@AlexKoehne) is a producer, line producer, production manager and post production supervisor based in Los Angeles, California. He is one of the founders of Brevity Wit Productions, a modern production company focused on creating premium content in the new media space.
His new show “Lonely And Horny” Starring Jake Hurwitz and Amir Blumenfeld from’s “Jake and Amir”
His production company

From starting his career as a high school intern at Skywalker Sound, Alex has worked on a vast array of projects across all forms of film, television and new media. His experience ranges from editing ads and marketing materials for Apple’s award winning internal marketing department, directing short form comedy videos, and producing independent feature films like “Folk Hero and Funny Guy”, “After the Reality” and “Director’s Cut”.

Alex has produced, production managed and post production supervised a large number of films including “Space Station 76”, “Higher Power”, “Mortified Nation”, “Heaven Sent” and “People You May Know”, as well as new media projects like “Tesla and Twain”, “Con Man” and “Lonely and Horny”. His work has been shown in numerous film festivals including Tribeca, South By SouthWest, The Newport Beach Film Festival, The Santa Barbara International Film Festival and Slamdance, and has been featured on the likes of College Humor, FunnyorDie,, Vimeo OnDemand , Hulu, and Netflix amongst other distribution platforms.

Just a quick glance at his extensive IMDB credits and you know he’s got some deep valuable insight and highly actionable knowledge to share. Talking to him definitely did not disappoint. The topics discussed include:
How to get started in the film industry
What it was like working on Steve Jobs Keynote speeches
How producing is one of the most viable ways to learn a ton about the filmmaking process and make a good living while still circling your true filmmaking dreams.
Whether you need to live in LA or NY to make it as a filmmaker.

If you have any interest in film, tv, or new media I think you’ll really enjoy and benefit from this interview. Enjoy!

This episode is brought to you by If you or your business are in need of digital marketing help or management please contact We specialize in social, seo, content, video and podcast production, web design, and so much more! Your audience and customers are begging for your art and craft. Let’s work together to give it to them and grow your bottom line! When you hear digital marketing think!

02:00 Alex’s Origin story of how he got into film

3:30 Alex’s first camera; The GL1 followed by the Panasonic DVX100

4:40 How Alex got into the film industry; HINT: watch a lot of movies, learn to edit, and have a burning passion

6:40 Alex’s work editing Steve Jobs keynote speeches

8:00 Alex’s experience as a screenwriter; they were way too big budget at first

9:30 How Producing taught Alex the most; His savings were running dry from time at Apple turned to producing

10:15 Alex’s experience producing “Space Station 76”; he became a post soup

11:45 Alex’s producing philosophy; Why Alex chose Producing over Directing

13:15 Plans to move back and forth between Producing and Directing while looking for first project as director

14:45 Why Alex doesn’t want to be a writer and what he’s looking to direct next

17:30 The genres Alex is attracted to and why

20:45 Alex’s biggest influences; Spielberg, PT Anderson, Wes Anderson, just something from a perspective that is visionary in some way

22:30 How important is it to live in LA or NY; advantageous because there’s so much going on out here, find actors for very cheap, it’s a networking town

26:15 How to avoid the mistakes that first time directors make; they don’t plan enough HINT: Shot list, If you’re going to be a director you should take acting or improv classes so you know how to better work with actors, trusting your crew but also having a solid perspective in mind, knowing that a good idea can come from anyone and working with a more experienced crew,

31:30 What to know about working with small and large budgets. ***Under $500K is ultra low budget, you learn how to make a deal. The next budget range is $500K to under a million. Can start doing things the right way. A proper post house, pay better crew, pay rates that people will come out for, then the unions become a factor but the crew is going to be really good. The only downside as a filmmaker is there is a lot more bureaucracy to deal with. Alex prefers to work in the $4 to $8 million, good catering goes a long way on set, days go 12 to 14 hours at a time, proper air condition makes a real big difference, having trailers and good bathrooms.

38:00 Distribution methods and his new show “Lonely and Horny” Work with investors or some sort of distribution partners. Interesting model is the “New Media Space”. The stars of the web series already have a following and Vimeo was interested in producing their own original content. Worked with them on a show called “Con Man”. Again the lead actors had a large following. Budgets are tight but you’re offered complete creative freedom and you don’t have to worry about distribution. And if it’s successful enough they’ll give them a bigger budget. Vimeo is using their own marketing budget. That’s a space that is worth watching. There is such a glut of content.  Why he created a Brevity Wit Productions with a focus on making premium content for the web space. The gap is bridged on Netflix and HBO. It’s a cool space to be working in. There’s a lot of high caliber talent involved. Used the team from “Agents of Shield” because they were on hiatus for the summer.

46:15 What does the future of distribution and the 90 minute film look like? I watch fewer movies than ever before in my life. That long form storytelling can be really fantastic. A Netflix like deal where you have unlimited viewings at the theatre. Example The Alamo Draft house with really good food service and experience.  He refers to indie films as the new short. You can make a feature for really cheap. There are a lot of really bad independent films.

51:30 The effect of Virtual Reality. It’s not a gimmick. It’s going to be a huge thing. The VR theatre experience. It makes it feel like you’re looking at a huge screen.

58:00 Do you need an agent? Producers generally don’t need agents. When he starts directing that’s when he would look for an agent. His process for finding an agent. It’s about making good work. Making good projects is your calling card. You have something to show them. No one cares how good you are in a room. Can you deliver the product.

61:00 Should you get an agent before you’ve made something you are proud of? You can get a manager to put you in their pocket, they work on your behalf but not officially your manager. It comes down to can they market you? It makes their job very difficult if you don’t have any good work to show. You don’t have to paint the Mona Lisa just show that you’re competent. That you have something worth watching. That’s when it becomes important to be good in a room. But you need a reason for them to let you in the door.

1:02:30 What is the most direct path toward making it as a filmmaker? No direct path. No such thing as an overnight success. They’ve actually been working hard for years. Go to NYU or USC. But you can simply meet a lot of people by just working. In terms of school just had to get through it. But he met a lot of collaborators. He thinks you learn filmmaking best by doing it. Competitions can be really great. They got him a lot of meetings from stuff he wrote. Every studio has a fellowship program. If you get selected you get placed on one of their tv shows. It helps to be in town and have connections and make connections. Everyone’s path is different. Working on indy films is rough because they don’t pay much and can go on for a while. Last summer he was working on 8 movies at once. His end goal has always been directing. Hasn’t wavered since he was 8. Circling the director position. He will be a much better director because of all this stuff. It’s circuitous but it’s a path.

1:14:00 The benefits of medical marijuana. Especially for insomnia. Can do way more with his time. Some of his favorite books include: Peter F Hamilton a british science fiction author. Peter Biskind does great film histories. Tries to switch between sci-fi fantasy, fiction, literature, classic stuff, non-fiction, biographies, science. He likes too many things.

1:21:00 Alex’s top three films of all time. He just fucking loves “Ghostbusters”. You can dissect it and it holds up. “Blade Runner” and “Mad Max: Fury Road”. The world building with so little dialogue boggles the mind.

1:24:00 Where to find more about him

Episode 1 – Interview of Andrew Lewis Mccammon (Second City and Improv Olympic Sketch Show Director)

Episode 1 of The Chris Brodhead Show Podcast

Andrew Lewis Mccammon is a regular performer at Second City, Improv Olympic, Thirsty, and more; talks about his writing/performing/rehearsal/marketing processes, how he got involved in comedy and developed his voice, presence, and how they regularly sell out their show, week in and week out

I had a freaking blast interviewing a good friend of mine Andrew Lewis McCammon before his sketch comedy group “Damn, Gina” performed their “House Party” Show at The Improv Olympic in Chicago. I’m so excited to share this with you. As a seasoned, well connected, incredibly active, and hard working writer/director/performer/producer in Chicago’s world class comedy and acting scene, Andrew has a ton of super high value tips, tricks and info to share with anyone interested in making comedy, performing, acting, writing, directing, or pursuing any artistic endeavor. You can find more about Andrew at and I hope you enjoy listening to this as much as I enjoyed conducting the interview. Enjoy!